February 8, 2012
kukkurovaca: cavetocanvas: Richard Avedon, Dick Hickock, Murderer, Garden City, Kansas, April 15, 1960, printed 1999 From SFMOMA: Avedon photographed Richard Hickock as the latter awaited trial for the 1959 murder of the Clutter family in Holcomb, Kansas — a crime that netted Hickock and his accomplice forty dollars and a portable radio. The minimal, straightforward style of the photograph highlights the idiosyncrasies of the killer’s face and suggests that the photographer is looking for evidence, should it exist, of a homicidal pathology. At the time the picture was made, the country was gripped by the details of this apparently motiveless crime. In 1965 Truman Capote published In Cold Blood, his nonfiction novel about the Holcomb murders. Capote’s look into the heart of rural 1950s America had a disturbing documentary clarity not unlike Avedon’s portrait of Hickock. The “minimal, straightforward” style is pretty much the same style Avedon always used. While I would like to think that all the very similar celebrity portraits Avedon made were “looking for evidence, should it exist, of a homicidal pathology,” that seems doubtful. Indeed, while I’m not a huge fan of Avedon’s, one of his main points of appeal is the democracy of his stylistic approach: he tended to make very similar photographs of people regardless of who they were. Also, I can’t seem to find Avedon’s photo of Hickock’s father online, but it’s definitely worth a look as well. I find it maybe a bit more unsettling than this one.

kukkurovaca:

cavetocanvas:

Richard Avedon, Dick Hickock, Murderer, Garden City, Kansas, April 15, 1960, printed 1999

From SFMOMA:

Avedon photographed Richard Hickock as the latter awaited trial for the 1959 murder of the Clutter family in Holcomb, Kansas — a crime that netted Hickock and his accomplice forty dollars and a portable radio. The minimal, straightforward style of the photograph highlights the idiosyncrasies of the killer’s face and suggests that the photographer is looking for evidence, should it exist, of a homicidal pathology.

At the time the picture was made, the country was gripped by the details of this apparently motiveless crime. In 1965 Truman Capote published In Cold Blood, his nonfiction novel about the Holcomb murders. Capote’s look into the heart of rural 1950s America had a disturbing documentary clarity not unlike Avedon’s portrait of Hickock.

The “minimal, straightforward” style is pretty much the same style Avedon always used. While I would like to think that all the very similar celebrity portraits Avedon made were “looking for evidence, should it exist, of a homicidal pathology,” that seems doubtful.

Indeed, while I’m not a huge fan of Avedon’s, one of his main points of appeal is the democracy of his stylistic approach: he tended to make very similar photographs of people regardless of who they were.

Also, I can’t seem to find Avedon’s photo of Hickock’s father online, but it’s definitely worth a look as well. I find it maybe a bit more unsettling than this one.

1:48am  |   URL: http://tmblr.co/ZIoa7yG4WLOL
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